G 6 — Vihuela
G 6 as shapes on ADGBE: lowest position first, frets and fingers named, audio on tap.
G 6 stacks G – B – D – E. The charts below place those tones on the Vihuela's ADGBE strings shape by shape, sorted from the lowest playable position on up — each one names its frets and fingers, and plays on tap.
Voicings are computed for this tuning by the shared voicing generator, not borrowed from another instrument; traditional mánico technique may still favor idiomatic shapes not charted here.
Treat the lowest shape as the address and the rest as the route: the same chord repeats along the neck, and choosing WHERE to grab it — near the nut or up where it bites — is most of the craft of rhythm playing.