What this site is for
Guitar Warrior covers the guitar family and nothing else: six strings and their relatives, the shapes that fit under one hand, and the tunings that change them. That narrowness is the point. A chord page here can assume you are holding a guitar, so it can show a fingering rather than a spelling, and it never has to hedge for an instrument tuned in fifths.
The cost of that is real, and it is why this page exists. There are questions a guitar site should not be the one to answer, and sending you somewhere better is a more useful answer than a thin section written for completeness.
Where to go instead
String WarriorThe same chord drawn on twenty-odd instruments side by side — the comparison this site deliberately leaves alone.
Theory WarriorWhat the shape under your fingers is actually called, and why it works, with no fretboard in the way.
Keys WarriorWhere the chord you have been fingering appears as its actual notes, in order, with nothing hidden by a tuning — and where the limit becomes how many voices the instrument can sound rather than how many fingers you brought.
Ukulele WarriorFour strings and a reentrant top course, where guitar shapes transfer for about a bar and then stop.
Bass WarriorThe root you were implying while you strummed, and what somebody playing only that note does with it.
Mandolin WarriorTuned in fifths, so none of your grips survive the move — the shapes have to be learned again from scratch.
Banjo WarriorFive strings with a drone that never stops sounding, and rolls where you would have strummed.
Fiddle WarriorNo frets and a bow, where the note names are the only thing that carries across from here.
Ear WarriorEvery shape here arrives with its name already attached. That site reverses the order on purpose: the sound comes first, you commit to an answer, and the reveal tells you what you swapped it for.
Bluegrass WarriorHow all of these sit together in one band, who takes the break, and what the guitar does behind it.
Music Warrior NetworkSix strings and nothing else is a deliberate limit, and the network has a site for most of what falls outside it; that site is the index — which sister covers which question, and whether its door is open yet.
Nashville WarriorA digit becomes a shape a full bar before the chord arrives, which is a different reading habit from naming chords one at a time. That site teaches it as a notation with rules rather than as a session trick.
Mariachi WarriorThree of the ensemble's seats belong to this instrument's family: the vihuela, the guitarrón, and the guitar playing the same cell an octave lower. That site gives those seats their parts and doors back here for the technique.
Jazz WarriorThe shapes you already know, renamed by function and then deliberately altered. Their guitar seat takes three or four notes, drops the root, and treats the low strings as somebody else's job — which makes it a different instrument to the one taught here.
Country WarriorBoom-chick as an arrangement decision rather than a technique — the bass note lands on the strong beat because nothing else in the band is holding the floor. That site describes the guitar chair's job from the song's side rather than the hands'.
Tres WarriorThree courses instead of six, and the guitar's habit of holding a chord down and pushing it forward is exactly what has to be unlearned: on the tres the figure IS the chord, taken apart and looped.
Sitar WarriorA guitar bend tops out around a tone before the string runs out of room; the sitar's tall curved frets are built for pulling a note several semitones sideways, which turns the bend from an ornament into the way the instrument gets between two notes at all.
Oud WarriorThe instrument the guitar descends from, by way of the lute: six courses, a plectrum, and no frets — the clearest way to sort which of your habits are really the guitar's and which merely arrived with the frets.
Cuatro WarriorTwo instruments share that name and a Spanish-colonial ancestor with the guitar, and neither is a small guitar: one is a picked five-course lead, the other a four-string rhythm engine. The site largely exists to stop people collapsing them.
Charango WarriorEvery shape you own assumes the strings ascend. On a GCEAE charango they do not, so the shape you finger and the chord you get part company — the fastest way to feel how much guitar knowledge is really tuning knowledge.
Cavaquinho WarriorThe rhythm-guitar problem, taken seriously on a smaller instrument. Where this site draws the shape and leaves the right hand to you, that one writes the stroke out — down, up, or chopped — for every eighth in the bar.
Gear WarriorGear gets covered here the way a player writes it; the ownership map behind the brands — who bought whom, and what is still made where the badge says — is research that site does and we do not.
Blues WarriorThe pentatonic box here gets you through a blues; that site says which of its notes are chord tones in bar one and rubs in bar five. It reads four blues forms bar by bar and files every blues-scale note as chord tone, colour or rub.
Flamenco WarriorThe shapes here are for a steel-string guitar; flamenco is played on nylon and counted in twelves. That site lays out four palos as cycles of counts, says which sit por arriba and which por medio, and gives each cadence in any key.
Progression WarriorEvery shape here is a chord on its own. That site is for the moment you have a whole song's chords written out and want to know which one has stepped outside the key, and what that step is called.
Scales WarriorThe scale boxes here put a mode under your fingers. That site puts it on a map: which modes are one altered note away from it, which family it comes from, and which mode is its mirror image.
Music Warrior AIThrough that site an AI assistant can look up a guitar chord's voicings, CAGED shape included, and the notes each one actually sounds, read from this network's data rather than guessed, with the guitar page here that owns the chord given as the source.
How the sites divide the work
Each instrument family has exactly one home. The guitalele lives on Ukulele Warrior and the bass VI on Bass Warrior, even though both have “guitar” in the name, because kinship here follows tuning and repertoire rather than spelling. String Warrior is the exception: it serves every instrument at once, which is what makes side-by-side comparison possible there and nowhere else.
The list above is every sister open today. Others are still being built, and each will appear in the list the day that site opens.