D# m(add9) — Vihuela

D# m(add9) as shapes on ADGBE: lowest position first, frets and fingers named, audio on tap.

D# m(add9) chord diagram, starting at fret 2. Strings low to high: A 6th fret, D 3rd fret, G 3rd fret, B 4th fret, E 2nd fret.

D# m(add9) stacks D# – E# – F# – A#. The charts below place those tones on the Vihuela's ADGBE strings shape by shape, sorted from the lowest playable position on up — each one names its frets and fingers, and plays on tap.

Voicings are computed for this tuning by the shared voicing generator, not borrowed from another instrument; traditional mánico technique may still favor idiomatic shapes not charted here.

Treat the lowest shape as the address and the rest as the route: the same chord repeats along the neck, and choosing WHERE to grab it — near the nut or up where it bites — is most of the craft of rhythm playing.