C m(maj9) — Vihuela

C m(maj9) as shapes on ADGBE: lowest position first, frets and fingers named, audio on tap.

C m(maj9) chord diagram, starting at fret 1. Strings low to high: A 3rd fret, D open, G 4th fret, B 4th fret, E 3rd fret.

C m(maj9) stacks C – D – Eb – G – B. The charts below place those tones on the Vihuela's ADGBE strings shape by shape, sorted from the lowest playable position on up — each one names its frets and fingers, and plays on tap.

Voicings are computed for this tuning by the shared voicing generator, not borrowed from another instrument; traditional mánico technique may still favor idiomatic shapes not charted here.

Treat the lowest shape as the address and the rest as the route: the same chord repeats along the neck, and choosing WHERE to grab it — near the nut or up where it bites — is most of the craft of rhythm playing.